English poetry Essay

The second decade of the twentieth century, a change-over period in the history of English poetry, was not a very inspirational iodin for poets. The existing group of poets, the Neo-romanticists attempted in vain to keep the Romantic spirit alive by writing ab erupt nature and unity but with the arrival of industrialization and the beginnings of the modern world, it became painfully clear that the lilting, passive Romantic style was in no way a materialization of the present state of affairs.The mechanized world of machines, factories and similarly regimented piece societies, long ignored by the Neo-Romantics was finally examined and put into verse by T. S. Eliot. Of the numerous works that capture the nascent modern world, one that stands out in p machinationicular is The Love Song of J. Alfred Prufrock. Eliot dives into the heart of urban dilapidate in the first stanza itself, when he compares the evening to an etherized patient lying comatose on the operating table.The metap hor that symbolizes the numb, unquestioning society that inhabits the deserted streets, brazen-faced hotels and sawdust restaurants captures a theme that is constantly revisited in this poem. The women who talk about Michelangelo do so as a ritual of fashion, without understanding anything about the art itself. Eliot goes on to compare the fog that spreads across the city to a toss that skulks on the rooftops onwards going to sleep.The fog that slips insidiously into every root represents the clouded judgment of the people that inherit the modern world. The protagonist in the poem echoes Marvell and the preacher in Ecclesiastes with the phrase, in that location will be time, number Marvells call to seize the moment and the preachers teaching- to everything there is a season- upside down to suit his indecisiveness. 2 The comparisons to Hamlet in the poem once again parallel the wishing of resolve that characterizes the protagonist.He longs to be the rogue element in a society that picks up on the trivial things like ones thinning hair, or depleted weight but fails to pay heed to lifes more important aspects. The protagonists envisions himself breaking the cycle and speaking lifes messages to the gossiping crowd only to falter at the moment of action. He finds himself pinned like an insect and unable to begin speaking his mind. He wonders if it is charge the trouble and anticipates that even if he were to speak, his message would be dismissed by as not being pertinent to the gossip that the society indulges in.His inability to make a change breeds some amount of self-loathing that surfaces in parches across the poem. Death- the eternal Footman- snickers at him for being afraid. He admits that he is neither a prophet nor Prince Hamlet that he is merely an attendant lord whose capableness to act stops at staring a scene or two. The poem ends with the ageing protagonist taking a walk on the beach and slipping into another world where the mermaids are rid ing the waves and telling to each other.But even here, he believes that they will not blabber to him. He lingers there for as long as he can, before he is awoken by the lifeless hand of human interaction and condemned for his lack of action, to drown in its throes. The themes that Eliot discusses through this poem and others like The Burial of the deceased and A Game of Chess explore and hit out against the soulless modern existence which moves along in a regimented shock absorber and parallels the oncoming wave of industrialization.