How does Act 1, Scene 1 prepare the audience for the love theme of Shakespeare’s “Twelfth Night”?

bear 1, prognosis 1 prep bes the audience for the rest of Shakespe ars Twelfth Night by introducing the profound theme of whap which runs through aside the play. Orsino, Duke of Illyria is immediately established as unmatched of the protagonists, and it is clear that shaft is all(prenominal) he is willing to think about.Orsino is lenience himself thinking of love, but he is preoccupied with his own reactions, and doesnt take into pecker those of the object of his affections, Olivia. He has declared his love for Olivia, which sets up the storyline between them.Love PoemFor Orsino it was love at first of all sight, which he explains through parable when one of his Lords, Curio, tries to change the subject to hunting. He explains by saying that when he first saw Olivia he was turned into a hart, and compares his desires for her to fell and untamed hounds that Eer since pursue me. Shakespeare has taken this idea from the Greek legend of Actaeon. In the legend, Actaeon was out hunting when he came across Diana, God of Hunting, bathing tender in the river. She turned him into a stag, and then his own hounds hunted him mass and killed him. Shakespeare has used this idea to show Orsinos sense of self importance by how easily he potentiometer imagine himself in the role of Actaeon. condescension claiming to be this deeply in love, Orsino is sending his courtiers to woo Olivia on his behalf. As he is the Duke, he doesnt go himself because he doesnt need to risk the distraction of being rejected in person.In the first scene Valentine returns from Olivias arena estate with the response he received from her handmaid. He was not allowed in to talk to Olivia in person, as he was told Olivia was mourning the death of her sidekick by refusing to leave the house for s even so years. He was told that for those seven years like a cloistress she will veiled walk and that once a day she would water her chamber round with eye offending dowse. This means she was p lanning on wearing a veil as a closed order nun would, and cry in her bedchamber every day. To do this for seven years seems to be a disproportionately long time, at that time the more normal period of sorrow was six months or a year. Olivia has plunged into grieving with the same haste as Orsino has into love.The way in which Olivia grieves is in stark contrast to that of the other feminine protagonist, genus genus Viola. At the time the play is set, it would have been hard to be an item-by-item women, as most women were looked after by their husband, family or employer. Both Olivia and Viola have been put into this situation by the death of their brothers, but they twain cope with it in different ways. While Olivia shapes withdrawn, Viola, although initially devastated, immediately takes positive action to get out in the world and take secure of her own well being. She constructs a plan with the help of the Captain to become Cesario and disguise herself as a eunuch (a cast rated male consideration with a high pitched voice) to go to serve the Duke.You can picture also Audience Adaptation PaperOlivia becomes dependant on the provided remaining men in her life, but who are also the damage sort of men. These men are Malvolio, her head servant, her uncle Sir Toby Belch, a drunkard, and Sir Andrew Aguecheek, Sir Tobys wonky friend who he has brought to the household as a suitor for Olivia. She is let her servants run the household for her and Sir Toby and Sir Andrew are getting away with the sedate drinking and irresponsible behaviour that would normally have got them thrown out the house. These are the only men she has seen since the death of her brother, so when she sees Viola/Cesario she falls for her, because compared to the men she has been with Viola/Cesario would seem to be perfect.One theme which is moved(p) upon in the first scene and later recurs throughout the play is that love is seen to be destructive. While in the first scene Orsino c laims that when he first saw Olivia he thought she purged the air of pestilence, Olivia talks of the crime in Act 1, view 5 as destructive. She says even so quickly may one catch the plague? to tell Viola/Cesario that she is falling in love. By comparing it to the plague she shows she does not want to fall in love, but is going to do nothing to remain it as she says well, let it be.Another comparison made to represent loves destructiveness is with the sea. Orsino again uses metaphors to make his point, comparing love to the sea. He says that the spirit of love notwithstanding thy might, Receiveth as the sea. What he means is that his love has the capacity of the sea, but nothing that enters retains its value, the sea and his love both destroying everything. He echoes this cerebration in Act 2, Scene 4 saying that his love is all as hungry as the sea, and can digest as ofttimes. In this scene, Shakespeare consciously echoes the words of his opening theme.In Act 2, Scene 4, Orsi no continues to ponder the nature of love as he does in Act 1, Scene 1. He is questioning Viola/Cesario on who it is she has loved. She is trying to winding that it is him by saying they are of his complexion and his years. Orsino thinks that men are fickle and that Viola/Cesario shouldnt love a woman older than herself. He says our fancies are more giddy and unfirm, more longing, wavering sooner lost and worn, than womens are. He is saying that men are shallow, and that they will lose pursuit when a woman loses their looks, so men should always marry junior women.In Act 1, Scene 1, he shows how hard it is for him to keep interest, even when he is so in love it is all he can think about. The very first line of the play is If music be the food of love, play on. Orsino wants the music to stimulate thoughts of love, he wants more. In the last line of the scene this is also shown, when he says away in the lead me to sweet beds of flowers love-thoughts lie rich when canopied with bo wers. He wants to maintain his heightened ruttish state and he needs it to be artificially induced because eventually he will be doing it because he feels he has to, rather than because he wants to. He wants to continue in this state until The appetite may repel and so die.