Alfred Stieglitz and Gallery 291 :: Armory show Art essays

Alfred Stieglitz and Gallery 291A fresh Art Revolution Before the stocktaking recordQuite a few years agothere got to bea dedicate.The amaze grewthe place shiftedthe place was where this man was.Shiftis something that cannot be tiecannot be pigeonholed.It jumpsit boundsit glidesit SHIFTSit must see freedom.It seems those who do that outlay the doingare possessed of good eyesalive eyes quick eyesit seems they radiate a fire within outward.The places they inhabit have a light burninga light seen from near and far by those who need this lightand this light sometimes dimsometimes brilliantnever out.To realize such a placea very tangible place was and is this mans dream. hindqu cheaters Marin about Alfred Stieglitz1 On February 17, 1913 the International Exhibition of Modern Art, or the Armory Show, opened to the public. It is unlikely that the some 4,000 guests milling around the eighteen populate of the 69th Regiment Armory in New York that night could have cognize the extent to which the artwork displayed would set off a revolution that would drag in the nation. Response to the Armory Show, however, was sensational. During the month long exhibition the, Armory Show became the talk of the town. The galleries were constantly full of people who came to gape at the spectacle, artists who came to withdraw or deride, and celebrities and socialites who came to see and be seen. Former President Teddy Roosevelt flat made a visit to the show praising the spirit of modernism present in the venture, but distrustful of the so called radical art of the European avant-garde. In his response to the show published in Outlook, Roosevelt commented It is vitally necessary to move forward and to shake off the dead generate of the reactionaries and yet we have to face the fact that there is apt to be a lunatic fringe among the votaries of any forward movement.2 In this narrative Roos evelt summarized the public reactions to the show.